"Formed in the early 1980s in The Black Country (West Midlands, UK), Head Of David was an influential alternative rock band with punk and industrial overtones. Ex-Napalm Death member Justin Broadrick played drums for the band just prior to forming Godflesh. The group split in 1991, with members moving on to play in Sweet Tooth, God, Slab, Greymachine, and more."
Discography overview, author unknown...
"Head of David started to make their musical mark with two releases in 1986, the first of them, the ‘Dogbreath‘ EP, arriving in September that year. Right behind it in October came the appropriately titled ‘LP‘ (or ‘CD‘ depending on format) which quickly climbed to #3 on the UK indie music charts. If the group were to have arrived in the current age, they would be labeled with a wide array of genre tags ranging from noise rock to post-metal. Before ’86 is over, there was a lineup change as drummer Paul Sharp is replaced by none other than Napalm Death member and future Godflesh/Jesu founder Justin Broadrick. The music crafted by Head Of David is bleak, with a deluge of overwrought guitar, bursts of rhythm machines, and half-shouted vocals. July of 1987 saw them issue ‘Shit Hits The Fan‘, a performance recorded live at the I.C.A. in London. Tailing it was another EP, one a bit more of a minimalist recording flirting with ambient textures: ‘The Saveana Mixes‘.
By most accounts, it is their 1988 release that really put them on the map, the Steve Albini produced ‘Dustbowl‘. It is somewhat a reinvention of the band, one infused with prolific amounts of Americana, while dialing back the more caustic elements of their sound. Seemingly more fluid and making use of material that is emotionally reflective, the album now receives cult-like reverence from their fans. Unfortunately, the lads were a conflicted bunch, to say the least, and by 1989, internal tensions came to a boiling point. It is quite clear that implosion seemed imminent and while they hoped to sort it out, two sessions from the group's appearances on the John Peel show are compiled and released as ‘White Elephant‘. Defections began and soon Dave Cochrane left to join God, while Justin Broadrick left to reform Godflesh. They reunited years later when Cochrane became the touring bassist for Jesu. Stephen R. Burroughs and Eric Jurenovski recruited new bassist Bipin Kumar and soldiered on for one more album, 1991’s ‘Seed State‘. The recording becomes their final release until a short-lived reunion in 2009."
Interview by "Rock A Rolla" Magazine May/June 2009...
In a year that’s already seen the unlikely return of Faith No More, The Jesus Lizard, Thorr’s Hammer and Goblin, the most surprising reunion is of industrial metal legends Head of David. Back in late 80s/early 90s, the West Midlands outfit ruled the roost, their pumelling Throbbing Gristle meets Suicide meets Sabbath combination setting the blueprint for bands like Godflesh, Fear Factory, Pitchshifter and numerous others. Frontman Stephen R Burroughs, once staunchly opposed to anything in the way of a reunion, finally succumbed, an offer from the folks behind Supersonic Festival too good to pass up and his long-term steadfast refusal eventually transforming into genuine enthusiasm.
“It’s something I swore, personally, that I’d never do” Stephen tells us of the reunion. “I swore I’d never play in this band again, however we got the offer from Supersonic – it was a good offer and it’s been 23 years since the original line up has played together, and we thought that was quite fitting so we decided to do it. Simple as that.”
So was there any particular reason he swore he would ‘never’ do it again after they split in 1991?
“No particular reason, I just went off and did other things. Dave (Cochrane, bass) and Sharp (Paul, drums) continued to play, Eric (Jurenovski, guitars) hasn’t played live – his last gig was with me in America, that was in Houston. I just didn’t wanna do it – I think bands getting back together is highly tasteless to be honest, but I’m joining the ranks of the tasteless (laughter).”
Since the band’s dissolution, the band members have variously gone on to do other things, musical and otherwise, the most high profile of course being Justin Broadrick’s Godflesh, Jesu and numerous other ventures. Dave Cochrane worked with Broadrick on a number of projects including Jesu, God, Ice and the upcoming Grey Machine, as well as The Courtesy Group and Transitional, while Eric, Sharp and Stephen all but retired from music.
“I continued to write” Stephen says. “I’ve done a lot of things you see, but nothing that’s surfaced. The last time I recorded was actually last summer for the Alan Vega tribute, the 10” singles on Black First – that’s the first time I’ve been in the studio for years”.
One of the original outfits on the industrial metal scene, the Black Country foursome were operational between 1986 and 1991 with a varying line-up, producing three albums and a handful of EPs on Mute’s Blast First label before calling it quits. Appearing at this year’s Supersonic Festival, which is fast shaping up to be a sort of Dream Comeback Festival this year (see also Thorr’s Hammer and Goblin), 2009 marks the end of an almost two decade hiatus, with the bad appearing in their original 1986 guise.
“That’s the original Head of David” Stephen confirms. “Me on vocals, Eric Jurenovski on guitar, Dave Cochrane on bass and Sharp on drums, and that’s the band that recorded (the band’s 1986 debut EP) Dogbreath.”
And what about Justin Broadrick? Was he considered for the reunion?
“Justin, he’s locked away in his studio in Wales somewhere. We did suggest that he might like to do something with us for this, but he’s a busy man and simply couldn’t come along to rehearse – he’s doing too much studio work so sadly he won’t be involved. The initial idea was to get him involved and I think he was quite keen to do it as well. He played drums when Sharp sadly had to leave – Justin took over and he played on Dustbowl, the second album.”
So how was it playing these songs for the first time in twenty years?
“It was surprisingly good fun actually. It feels very different. The good thing about it is it doesn’t feel like it’s some ‘friends reunited, let’s all be self indulgent and try and live out our past’ kind of thing. It does feel quite relevant because I think with maturity over time, in ourselves, we’ve approached it all differently and it does feel quite fresh and it’s sounding very good. I said initially: let’s rehearse, if it sounds good, if we’ve still got the same sound, we’ll do it. And we plugged in and away we went and it was really quite easy. As I say, it does sound good.” Presumably, though, energy levels aren’t quite the same as when they were all younger? “(laughter) You’re joking! No…that’s a categorical NO, and I certainly don’t shout with the same nervous energy that I used to”.
Like so many bands that would eventually prove to be influential, during their active phase Head of David were largely acknowledged only by those in the know, remaining underground while bands like Godflesh, and later on Fear Factory (who covered ‘Dog Day Sunrise’ on 1995’s Demanufacture), took this sound to a wider audience. Stephen, for one, is unperturbed by their lack of tangible popularity the first time round, nor was it ever part of the plan.
“It was never a consideration at all, and it’s something I never expected, that we’d be a big band. I do think that we were overlooked but I said at the time, back in 1986, that we’ll be more popular in 30 years time than we’ll be in a year’s time. That happens with a lot of bands, when people re-discover a band. I wasn’t expecting any fame then at all, I didn’t particularly want it either. But yeah, I think with any band it’s recognition they want more than anything, and I think that recognition started to seep through various channels, the ones you just mentioned, the rise of that genre of music, when Ministry mention us in dispatches, and lots of other bands have. So I think that’s brought our name to a few people.”
“But to be honest” he continues, “all we did at the time was we just played what we listened to and liked, we didn’t really think ‘oh, this is industrial metal’. We were certainly conscious, coming from the Black Country, the Midlands, of our heavy metal roots, with Sabbath and Led Zeppelin. But at the same time we didn’t want to be a heavy metal band – we wanted the overwhelming sound of a heavy metal band but at the same time we were listening to Throbbing Gristle, Boyd Rice and all the early industrial stuff, so it’s just a natural seepage of all those influences and that’s where the sound came from. It wasn’t necessarily concocted, it was purely instinctive.”
So with the band revving up for their performance at the upcoming Supersonic Festival in their natural surroundings of Birmingham, UK, the reunited combo are about to make their full comeback, with a swiftly widening plan to resurrect their name for a new (and for that matter old) audience.
“The back catalogue should be reissued later this year, hopefully in time for Supersonic, but I’m not sure when that’s gonna happen. As for recording new stuff, it’s now become apparent that we would like to record something – more of a continuation of what we were doing back then and put-the-record-straight kind of record. That’s what we’d like to do, something with a bit of feeling. So hopefully we will record, but we’ve got Supersonic in mind, and that’s it at the moment. There have been a few offers already to do other things, and there’s a good chance that we’ll do other things. I can only be as vague as that at the moment."