Very much in the Dr. Gunni mould. Ultra-minimalist no-fi (but not shit-fi) one-girl Japanese drum machine weirdcore that sounds like it was recorded over several sessions. It has an airy rehearsal vibe with distinct track separation, though the vocals are glaringly plugged in. Stylistically, she's everywhere. Some songs are noisecore homage, other songs are...country-punk? I'd say stadium punk with a few other tracks if it wasn't so beyond simplistic. Still other songs seem to be her version of Japanese light pop ballads. Least surprising is how damn well composed, performed, and captured it all is (Japan yo. That simple.) with a grittiness to match her apparent audio-resourcefulness. I'm not sure of the genre for projects like this, or if one is even possible...they just "are": weird, mysterious, and pleasurable.
Bizzy Killer Gedbenz - "Spittoon" CDR 2007
Very much in the Dr. Gunni mould. Ultra-minimalist no-fi (but not shit-fi) one-girl Japanese drum machine weirdcore that sounds like it was recorded over several sessions. It has an airy rehearsal vibe with distinct track separation, though the vocals are glaringly plugged in. Stylistically, she's everywhere. Some songs are noisecore homage, other songs are...country-punk? I'd say stadium punk with a few other tracks if it wasn't so beyond simplistic. Still other songs seem to be her version of Japanese light pop ballads. Least surprising is how damn well composed, performed, and captured it all is (Japan yo. That simple.) with a grittiness to match her apparent audio-resourcefulness. I'm not sure of the genre for projects like this, or if one is even possible...they just "are": weird, mysterious, and pleasurable.