Exit 13 loved their sewer-pitched, Ken Owen style blurrgrind...but also loved cheating on the genre with morbid forms of "jazz" overlays and '70s rock power-groove. The band enhanced this sound with MIDI technology, a gimmick that gained them immediate global attention (it was a fairly new technology at the time, and uniquely employed considering the style of music it was being fused to, so everybody fixated on that aspect first...even me). The rabidly ecological lyrics are intelligently rendered, but with the megatons of pot the band broadcasted smoking, I think they were mostly about the jams before the message. Weird, legendary, poorly recorded, GO FOR IT...
http://www.mediafire.com/file/gh450ddgyezzgz6/EXIT_13_-_Rarities_%28Selfish_Few_Blog%29.zip
Industrial Terror Squad - Discography 1995-2010
Hard erosional speedcore that mutated into equally as erosional "real" industrial power-noise. The earliest 12"s are classics in harsh techno, with a sole agenda of turning all dancefloors into moshpits of blendered gore. That formative sound parallels other old terror heavyweights like Disciples Of Annihilation, H.C.M., and even Nasenbluten (if they had a massive equipment upgrade). The later material is electrically buzzing and atomizes concrete...a bit slower with the style change to the patent leather boot scene, but still adept at pulverizing skulls with nuclear hammers. Beyond brutal EDM warfare, absorb this nigga like Calvin the Martian absorbed the rat in Life...
http://www.mediafire.com/file/iga73cfl5rgzkao/Industrial_Terror_Squad_-_1995-2010.zip
http://www.mediafire.com/file/iga73cfl5rgzkao/Industrial_Terror_Squad_-_1995-2010.zip
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