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"There is a legend that every 3,000 years a dead god of the demon realm, simply called the 'Overfiend', will be resurrected in the body of a young man. Amano, a beast-man, travels to the human world to find the Overfiend before his demon rivals do. Unfortunately he keeps getting side-tracked by Tatsuo Nagumo, his bumbling, lecherous friend and classmate, who keeps getting in serious trouble with the demons. If Amano can’t find the host of the Overfiend, how is he going to be able to protect Nagumo from the clutches of the oncoming demon horde?"
"First serialized in 'Manga Erotopia' from 1985 to 1986, Urotsukidōji quickly gained notoriety for its graphic sexuality, black humor, and focus on the supernatural. The manga was adapted into a series of OVAs (Original Video Animation) by Penthouse Japan, financing a staff composed of animators from 'Space Battleship Yamato', and character designs and additional animation from the 'Mobile Suit Zeta Gundam' team. The adaptations are somewhat faithful to the source material, but also greatly increase the manga's level of violence, sadomasochism, rape, and epic scope. Urotsukidōji has been credited with popularizing the trope of 'tentacle porn', and is considered a foundational work in the hentai genre."
"Toshio Maeda (Born: September 17th 1953) is an erotic manga artist who was prolific in the 1980s and 1990s. Several of Maeda's works were adapted for the original video animation market, including 'La Blue Girl', 'Adventure Kid', 'Demon Beast Invasion', and his most famous work, 'Urotsukidōji'. He began reading manga when he was 5 or 6 years old, and read translations of American comics just as enthusiastically. He is a fan of literature as a whole, purportedly reading more than 10,000 works before he was 20 years old. At 16 he went to Tokyo to break into manga. He became interested in manga for adults as he was tired of all the restrictions placed on manga for children. Portrayal of genitals was still illegal in Japan at the time [It's still iffy and weird now. --S], so artists would use many tricks, loopholes, and technicalities to get by the censors. Maeda's excuse was that a tentacle was not a penis. He has embraced his role in popularizing the tentacle genre, and has stated that he would like 'Tentacle Master' inscribed on his tombstone."
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