"Merzbow began as the duo of Masami Akita and Kiyoshi Mizutani, who met in high school. Their earliest music was made with tape loops and creatively recorded percussion and metal. These early methods also included what Akita referred to as 'material action', in which they would heavily amplify small sounds so as to distort them. 'Batztoutai With Memorial Gadgets' was their first LP released outside of Japan. They also started touring abroad with the help of various collaborators. First, Merzbow performed in the USSR in 1988, then toured the USA in 1990, Korea in 1991, and Europe in 1989 and 1992. During the European tour in Sept/Oct 1989, Akita could only bring simple and portable gear, this led to the harsh noise style he became best known for. Kiyoshi Mizutani left Merzbow after the 1989 European tour and continues to pursue a solo career."
Merzbow - "Mechanization Takes Command" Tape 1983, "Batztoutai With Memorial Gadgets" 2xLP 1986, Collaboration With S•Core Tape 1987, "Crocidura Dsi Nezumi" Tape 1988, "Batztoutai With Material Gadgets De-Composed Works 1985-1986" 2xCD 1993, Split 7" With Smell & Quim 1996, Live CBGB's Collaboration With Alec Empire CD 1998 [And You Get A Few Scans Too!]
Mr. Bungle - "OU818" Demo '89 (With Scans)
http://www.mediafire.com/file/yk3opk6k3ukzwuq/Mr_Bungle_OU818.zip/file
"Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the group often cycled through several musical genres within the course of a single song. Many of their compositions had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks and often jumpsuits earlier in the band's career) and an array of cover songs.
Founded in Eureka California while the members were still in high school (1985), they were named after a 1950s children's educational film featured in Pee-wee Herman's 1981 HBO special. They released four demo tapes in the mid-to-late 1980s before signing to Warner Brothers and releasing three full-length studio albums between 1991 and 1999. The band toured in 1999 and 2000 to support their last album before going on hiatus, ultimately dissolving in 2004."
Morbid Angel - Live Soundboard 11-14-89 (Rock City), Split Boot 7" With Slaughter Lord '87, Rehearsal/Demos ("Evil Demos") '86-'87
http://www.mediafire.com/file/c6ki7wafrh0xy7w/Morbid_Angel_DemoRehLive.zip/file
Interview from Brian Pattison's (Anthropic, Glorious Times) "Chainsaw Abortions" Zine issue 2 (1990)...
Interview from Brian Pattison's (Anthropic, Glorious Times) "Chainsaw Abortions" Zine issue 2 (1990)...
Gess - "Suffer Damage" Demo 1983
A phat Jap slap of oldschool noisy hardcore putridity, debuting online over a decade ago (ripped from one of my '90s Nihon trades), and re-upped today for Th' Nigga Mahler...and...I guess you cheeky shits too 😛 (PAY IT FORWARD!)...
http://www.mediafire.com/file/wpi8ddzwbikhu09/GESS_-_Suffer_Damage_%252783_demo.zip/file
http://www.mediafire.com/file/wpi8ddzwbikhu09/GESS_-_Suffer_Damage_%252783_demo.zip/file
Alien Sex Fiend - "Curse" CD 1990
"Alien Sex Fiend were formed by Nik Wade (Nik Fiend), Christine Wade (Mrs. Fiend), David James (Yaxi Highrizer) and Johnny Freshwater (Johnny Ha-Ha) in late 1982 at the 'Batcave' club in London (where Nik worked). The band became known in the gothic scene for its dark, electronic industrial sound, heavy samples, loops, dub remixes, and manic vocals. Five of the group's LPs and twelve of their singles reached top 20 positions in the UK charts, 'Curse' Is their 7th full length studio album." [And muh fave! --S]
http://www.mediafire.com/file/8m693vgnow55hws/Alien_Sex_Fiend_-_Curse_1990.zip/file
http://www.mediafire.com/file/8m693vgnow55hws/Alien_Sex_Fiend_-_Curse_1990.zip/file
Suburban Filth - 20 Track Demo 1982 (Master Rip & Color Scans)
Chemotherapy's elder anarcho brother from England...but less rehearsed.
If you need me to tell you more, then you've never heard Chemotherapy.
Richard H. Kirk - "Disposable Half-Truths" Cassette 1980
"Disposable Half-Truths is the debut solo album by Richard H. Kirk, originally released on cassette by Industrial Records in 1980."
"Kirk first came to prominence in the 1970s as a member of the seminal industrial band Cabaret Voltaire. He maintained a career as a solo artist alongside Cabaret Voltaire until the group's dissolution in 1994. He 'reformed' the band in 2014 as the sole remaining member, performing sporadically with all new material more akin to his solo work than the output of Cabaret Voltaire's original incarnation."
http://www.mediafire.com/file/gk0m45ow8kxyd2w/Richard_H._Kirk.zip/file
"Kirk first came to prominence in the 1970s as a member of the seminal industrial band Cabaret Voltaire. He maintained a career as a solo artist alongside Cabaret Voltaire until the group's dissolution in 1994. He 'reformed' the band in 2014 as the sole remaining member, performing sporadically with all new material more akin to his solo work than the output of Cabaret Voltaire's original incarnation."
http://www.mediafire.com/file/gk0m45ow8kxyd2w/Richard_H._Kirk.zip/file
Paralisis Permanente - Discography '81-'83
http://www.mediafire.com/file/wulr470gvwh6ytr/PARALISIS_PERMANENTE.zip/file
"Parálisis Permanente was a Spanish post-punk band from the 1980s, noted for being the precursors of the dark sound of the 'Movida Madrileña'.
The group was originally formed by Eduardo Benavente (guitars) and Nacho Canut (bass), both formerly from the band 'Alaska Y Los Pegamoides', along with their siblings Javier Benavente (vocals) and Johnny Canut (drums) around 1981. This line-up recorded an EP, later included on their 1995 compilation 'Singles Y Primeras Grabaciones'. After Javier left the band, Eduardo also became lead singer. Their style departed from pop and approached the wave of bands like 'Gabinete Caligari'.
In November 1981 they recorded their first EP, with the company 'Tic-Tac' from Navarra in January 1982. The EP was a split with Gabinete Caligari and included the tracks 'Autosuficiencia' and 'Tengo Un Pasajero'. A videoclip for Autosuficiencia was also released. The split was later re-released by the record company 'DRO', and also by 'Tres Cipreses' with new cover art featuring two characters from the film 'Freaks'. The bands second EP, 'Quero Ser Santa', featured four tracks and was released in early 1982, also on Tres Cipreses. Amongst the tracks were "Quiero Ser Santa" and "Un DÃa En Texas", based on the film 'The Texas Chain Saw Massacre'.
Shortly after their second EP, Nacho Canut quit the band and joined 'Dinarama'. Rafa Balmaseda, formerly from 'Glutamato Ye-Yé' and 'Derribos Arias' joined on bass. Ana Curra, ex Pegamoide, joined on keyboards.
In July 1982, they recorded the tracks for their first LP 'El Acto', in which they explored an even darker style of punk than their previous releases, marking the beginning of the post-punk movement in Spain. The album featured covers in Spanish for David Bowie's "Heroes" and The Stooges' 'I Wanna Be Your Dog (Quiero Ser Tu Perro)'. In spite of the independent release of the album, the band achieved success in the Spanish Music Charts.
Their last single, 'Nacidos Para Dominar', was released in 1983. Later that year Eduardo, Ana and then drummer Toti had a car crash when driving to a festival in Zaragoza. Benavente was killed in this accident and the band came to an end."
"Parálisis Permanente was a Spanish post-punk band from the 1980s, noted for being the precursors of the dark sound of the 'Movida Madrileña'.
The group was originally formed by Eduardo Benavente (guitars) and Nacho Canut (bass), both formerly from the band 'Alaska Y Los Pegamoides', along with their siblings Javier Benavente (vocals) and Johnny Canut (drums) around 1981. This line-up recorded an EP, later included on their 1995 compilation 'Singles Y Primeras Grabaciones'. After Javier left the band, Eduardo also became lead singer. Their style departed from pop and approached the wave of bands like 'Gabinete Caligari'.
In November 1981 they recorded their first EP, with the company 'Tic-Tac' from Navarra in January 1982. The EP was a split with Gabinete Caligari and included the tracks 'Autosuficiencia' and 'Tengo Un Pasajero'. A videoclip for Autosuficiencia was also released. The split was later re-released by the record company 'DRO', and also by 'Tres Cipreses' with new cover art featuring two characters from the film 'Freaks'. The bands second EP, 'Quero Ser Santa', featured four tracks and was released in early 1982, also on Tres Cipreses. Amongst the tracks were "Quiero Ser Santa" and "Un DÃa En Texas", based on the film 'The Texas Chain Saw Massacre'.
Shortly after their second EP, Nacho Canut quit the band and joined 'Dinarama'. Rafa Balmaseda, formerly from 'Glutamato Ye-Yé' and 'Derribos Arias' joined on bass. Ana Curra, ex Pegamoide, joined on keyboards.
In July 1982, they recorded the tracks for their first LP 'El Acto', in which they explored an even darker style of punk than their previous releases, marking the beginning of the post-punk movement in Spain. The album featured covers in Spanish for David Bowie's "Heroes" and The Stooges' 'I Wanna Be Your Dog (Quiero Ser Tu Perro)'. In spite of the independent release of the album, the band achieved success in the Spanish Music Charts.
Their last single, 'Nacidos Para Dominar', was released in 1983. Later that year Eduardo, Ana and then drummer Toti had a car crash when driving to a festival in Zaragoza. Benavente was killed in this accident and the band came to an end."
Bazooka - "Albacore" 1997 Mixtape
For Justin Relics! One of the "G.O.A.T." hard/speedcore* mixes, so fuckin' ✝GODLY✝ that N.A.S.A. should hadron-engrave it onto a gold record for one of their road trips to Andromeda (I'm kinda not joking!). I just can't sell it any harder yo...
http://www.mediafire.com/file/8w9ummosml3fbwf/Bazooka_-_Albacore.zip/file
*And other sonic fuckery, but mostly H-A-R-D speedcore.
http://www.mediafire.com/file/8w9ummosml3fbwf/Bazooka_-_Albacore.zip/file
*And other sonic fuckery, but mostly H-A-R-D speedcore.
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