Alt-woke 'isms, 'phobias, misanthropy in general, and MARTIANS.
Repugnant trash that you'll keep fishing out of the abortion-landfill for "one last read"...
Bloody Fist - "Bembelterror Radio Special" 1-20-98
I don't miss the torture of recording dial-up streams to cassette (easy to rig, hard on the rage when they buffered...which was all the time). This one was an especially grueling session, but well worth the obliterated patience to capture it: O.G. Gangsta-speedcore and Amiga-breaks from the greatest provocateurs of the style, interspersed with live-at-the-rave commentary from THE boss asshole himself, Mark N...
Unnatural Silence - Known Discography (Demo 1 '83, Live '85, Demo 2 '86)
"Wild blistering insanity. A whirlwind of pile-driving quickness blasting explosive vocals at a sonic split-second rate; crazed grinding and drum crashing rapidly storms this band into an invading blizzard of frizzling thrash extraordinaire like DRI. Brutal non-hesitant lyrics (especially “Misfits Are Innocent”) keep the nervous system running amuck. This tape is a must." --Pushead/MRR '83
http://www.mediafire.com/file/qp1kh0kg6xqtr7w/Unnatural_Silence_-_Discography.zip/file
Dead America - Demo 1, 1993
First/best recording of Orange Curtain grinding hardcore, like a “happy” Terrorizer signed to Mystic Records. Their GIGA-bounce breakdowns split many a wig even in pug-mug L.A. (as did the Martial Law cover they’d close their sets with)...
Q.R. Ghazala - “Threnody For The New Victims Of Hiroshima” CD 1995
“Threnody was created using Ghazala's invented ‘Vox Insecta’ instrument, an elaborate insect voice synthesizer housed within a 1940's stenograph machine. In addition to insect sounds, the instrument also synthesizes orchestral textures, choirs, and a strange assortment of surreal musical voices. The composition's five movements, considered unlistenable by some, thrive on the familiar discordance of [large gatherings of] insects and the wondrous uncharted harmonies that lie within. Titled after Penderecki's ground-breaking work, ‘Threnody to the Victims of Hiroshima’, and exploring similar tonalities, extended instrumentation recalls the tragedy of Hiroshima's destruction through broad curtains of impressionistic sound.” 
Filmmaker - Live 11-11-19
Simple and organic gloomwave/post-electro (as composed by a teenage John Carpenter) live set from the prolific and utterly mysterious "Filmmaker" (of Colombia). COOL. SHIT! http://www.mediafire.com/file/nie87s9cyv4o0tx/Filmmaker_-_Live_11-11-19.mp3
Maldoror - "Live Great American Music Hall San Francisco December 20th 2002"
Masami n' Mike tearin' shit up a few years after their CD came out...
Lord Hitler - Rehearsal March 1991 Tape
I keep thinking Hellhouse with human drums...but cheesier/shittier/more incomprehensible. Lord Hitler was quite the outlier in the former Eastern Bloc* death-thrash scene solely because they were so embarrassingly lame...which is solely why I uploaded them...http://www.mediafire.com/file/8pzulimxqgxtxu8/Lord_Hitler_1991_Demo.zip/file
*NONE of the other bands were this terrible. Still cheesy, but usually hyper-proficient at performance.
Zos Kia/Coil - "Transparent" Tape 1984
"Zos Kia was a British musical group initially formed by John Gosling along with John Balance. This trio, along with Peter Christopherson on sound, and sometimes other guests, recorded and performed several concerts in 1982 and 1983 under the name 'Zos Kia and Coil'. Some of that material was available on their debut release 'Transparent'. Balance and Christopherson soon left to concentrate on Coil full-time. All material released under the Zos Kia name alone was primarily the work of John Gosling. After retiring the Zos Kia name, Gosling went on to record with 'Sugardog' and 'Psychic TV' and to work solo as 'Sugar J' and 'Mekon'. The name "Zos Kia" is derived from the 'Zos Kia Cultus', a system of magic devised by British artist Austin Osman Spare."
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