The shitblurr short bus kills again! Shockingly well played for the genre, with a snazzier than usual bedroom recording where most of the elements are decently separated (if you've heard Fear Of God's "Blazing Swiss Noise"/"Konserven" session, this stuff comes...and cums...from a neighboring realm). Maximum overdrive offense-core!!!
Cromagnon - "Orgasm" LP 1969 (CD Version 1998)
"Orgasm is the only album by the experimental band Cromagnon, recorded and released in 1969.
It was recorded at A-1 Sound Studio in the Upper West Side of New York City, and heavily utilized Phil Spector's 'wall of sound' technique (of which producer Brian Elliot was a fan). During production, band members brought in random people from the street to contribute to the session.
Member Sal Salgado recalled: 'The original concept of the album was to progress from different decades of music. Like, in '59 Elvis was shaking his pelvis and driving people - well, women - crazy. And adults as well, making them very upset. And then ten years later Hendrix was pouring lighter fluid on his guitar and getting a lot of great distortion out of his Marshall amps. And The Who was breaking up equipment. And then we were trying to carry it on to the next decade. We were going to say, maybe in 1979 there’ll be a group of people on stage that’ll be blowing through reeds of grass while someone is reciting some poetry, and another person is squirting water at a microphone on stage with a hose...'
Critics have noted how Orgasm anticipated the rise of noise rock, industrial, and no wave."
Fire In The Head – "The Remedy Has Become The Affliction/Dirty Needles" CD/CDR 2006
A "spiritual successor" for Justin Relics (since ya dug the N.T.T. review so much!):
Macerated flesh clings desperately to crushed bone.
Exposed nerves thrash and spark, strobing over a seizing mass that used to be...
...your body.
Blood welters in a pathetic attempt to armor skin sanded down to the muscle,
but even static air burns like acid against this wretched canvas of agony.
Everything burns like acid.
...breathing...
...hearing...
...seeing...
...thinking...
...all from daring to glance at God's bestiary of mankind's hatred for itself.
So when he found you, kissed your lidless eyes, and commanded you to look again...
...you sputtered...
...you flagellated...
...and you begged...
...begged his cold mercy for a reprieve in Hell.
Exit-Stance - Discography, Live/Demo/Comp Trax 83-85
Edited from Listen And Understand...
"Formed from an earlier band called 'Fuck Authority', Exit Stance stole their name from a Poison Girls poster. At first, they were heavily influenced by The Clash, but not so much by The Sex Pistols, because they could relate to the Clash's lyrics and only found the Sex Pistols to be rock stars. It wasn't until drummer Mark was replaced by 16 year old Andy Williams that the band started to get their intense mid-pace sound (Andy was more influenced by Killing Joke). Their first rehearsal space was an art room in an old rectory. They recorded their set and attempted a small tour, but were eventually banned from venues for displaying disturbing art behind themselves while performing. After the tour, they quickly received a call from Colin of Conflict, who invited them down to 'Alaska Studios' to record a track for the 'Who? What? Why? When? Where?' compilation. They managed to record their song fast enough to record several more songs in the same session, which was ultimately released as the 'Crimes Against Humanity' EP. The group then prepared for a U.K. tour with Conflict, sharing cramped space in the same van. The 'While Backs Are Turned' MLP was released in 1985, so they booked another tour to promote it. Unfortunately, they became disillusioned while on this tour, tiring of the constant criticism from the audience. They began work on another record, only to split up in the middle of rehearsing for it."
Barabbas Zine Issue 1 1984
Why do literally all male Scandipunks get graphically naked in their zines?!?!?!?!
Avskum - 1982 Demo VS 7" Remaster 2010
Ripped from an O.G. VS its vinyl remaster from the eventual cofounders of the
"metalpunk" genre (total '88 discore here, talk about being years ahead of your time! TWICE!!)...
Totschlag Records - "0-6" 2000-2007
First 7 releases of Deutsch speed-splitter (and a "comic book"!)
from enfant terrible André Tschoffa (und Freunde)...
Black Sabbath Live 8-3-75
"Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck, and though they are somewhat lo-fi compared to his later work, some very great moments in rock history were captured for posterity. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He was also fortunate enough to have a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.
He recorded many of the major 70's bands: Yes, Genesis, Pink Floyd, Queen, Blue Oyster Cult, Frank Zappa, Jethro Tull, ELP, Kiss, Black Sabbath, The Who, Al Stewart, Alice Cooper, Jeff Beck, Bruce Springsteen, Supertramp, Jean-Luc Ponty, Moody Blues, Neil Young, The Faces, Rush, Rick Wakeman, Kansas, as well as several under the radar acts.
Since Dan never traded copies of his recordings, they are all essentially uncirculated. Some copies were made for friends, but these releases are the first time most of these recordings have ever seen the light of day, and are direct from his master cassettes. No EQ'ing has been done to any of the transfers.
Always remember - the more generous you are
with your music, the more it comes back to you."
Adolf Hitler Klan/Surf Nazis Must Die - Demos 2001-2002
OVERLORDS OF THE EDGE UNITE! Pretty much the same German band playing quick n' tight party-'tardcore. They never released on Youth Attack, but I can wholly picture it...
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