Cult Of Youth - "Today Your Love, Tomorrow The World" 3" CDR 2008


Loudest "man with a guitar" I've ever seen perform!

"Limited edition of 25 numbered copies to commemorate
Cult Of Youth's live debut at Home Sweet Home in New York on 2/6/08."

Ultra Crap Shit Noise - 301 Band / 90+ Minute Compilation Tape (Year?)


I'm guessing barely pre-millennium, as many of the tracks were bootlegged from the "Bllleeeeaaauuurrrrgghhh" and "Cry Now, Cry Later" compilation 7"s (but scattered randomly between the songs "exclusive" to this cassette). Fortunately you get ten times the shitnoise than those records combined, and with it's surgical editing and thoughtful flow it...still won't transcend being a car tape, but it's a fookin' AWESOME one!

Concrete Sox / Doom ‎– "Live Udine Italy 30.03.1989 C.S.A." CDR 2010



Caress to tumes'...



Master - Live "Warehouse" Chicago 11-10-86


Wards - "Ripped Off In Boston" Radiobeat Demo 1984 (Keller's Rip With Scans)

Edited from "Good/Bad"...

"The WARDS fourth and final release (after two wonderful 7″s and another demo). As you can see, this was recorded at Radio Beat Studios (Deep Wound etc.) and it seems likely from the title of the cassette, that the trip to Boston caused the band some trouble. KFTH has it the band-van was stolen in Boston (and the cover drawing seems to, well, illustrate this rather unpleasant event). The band never got much recognition when still around, but as soon as the Punk nostalgia took off in the beginning 90s, the WARDS became more popular. No wonder, since the band coined a sound of its own. Snotty, pissed, simple but overall pretty melancholic sounding with trademarks double vocals and a pretty tight guitar sound. You’ll see, as soon as the music blasts off, you’ll immediately recognize the typical WARDS sound. One or two more recordings and the WARDS would have taken an interesting development, I guess. I scanned the backside of the demo cover too, which has a letter from the band to me, giving some details." [Thuggy shit!  --S]

Noriyasu ‎– "Free 10 Inch Record" 10" 2010


POIGO NOISE. This wasn't supposed to get out AT. ALL. But it did (by a British attendee two weeks after the wedding), Nori got pissed...and then he got divorced! "CHAOS IN THE PUSSY!!!"

L.E.A.K. (Lustige Elektro Akustische Klänge/Funny Electro Acoustic Sounds) - "The Old Teahouse" CD 2001


A slab of the coldest meat, released on 9-11 ("allegedly").
Featuring former members of Gimla/Heid...

RRR 500 - "500 Lock-Grooves By 500 Artists" LP 1998 (With Scans & Track List)


I. Would. Lock. Five. Hun. Dred. Grooves. And. I. Will. Lock. Five. Hun. Dred. More...

Festering Puke - "Cheese Weez" Demo '93 & " I Love Rape...Jerking Off On Mom's Face" Demo '95 (With Scans)


The shitblurr short bus kills again! Shockingly well played for the genre, with a snazzier than usual bedroom recording where most of the elements are decently separated (if you've heard Fear Of God's "Blazing Swiss Noise"/"Konserven" session, this stuff comes...and cums...from a neighboring realm). Maximum overdrive offense-core!!!

Cromagnon - "Orgasm" LP 1969 (CD Version 1998)


"Orgasm is the only album by the experimental band Cromagnon, recorded and released in 1969.

It was recorded at A-1 Sound Studio in the Upper West Side of New York City, and heavily utilized Phil Spector's 'wall of sound' technique (of which producer Brian Elliot was a fan). During production, band members brought in random people from the street to contribute to the session.

Member Sal Salgado recalled: 'The original concept of the album was to progress from different decades of music. Like, in '59 Elvis was shaking his pelvis and driving people - well, women - crazy. And adults as well, making them very upset. And then ten years later Hendrix was pouring lighter fluid on his guitar and getting a lot of great distortion out of his Marshall amps. And The Who was breaking up equipment. And then we were trying to carry it on to the next decade. We were going to say, maybe in 1979 there’ll be a group of people on stage that’ll be blowing through reeds of grass while someone is reciting some poetry, and another person is squirting water at a microphone on stage with a hose...'

Critics have noted how Orgasm anticipated the rise of noise rock, industrial, and no wave."