"Estamos En La Sima" Tape Comp '89 & "No Futuro" Soundtrack LP '88 ('07 CD Version)


Scarface punk/core/ruido/moler from Ataque De Sonido, Crimen Impune, Diskordia,
B.S.N., Dexkoncierto, H.P.H.C., Herpes, Pestes, Mutantex, P-Ne, Amen, Ekrion, Agressor,
Profanacion, Mierda, Ekhymosis, Sacrilegio, and Nekromantie... 


Larm, Herraids, & Rapt Split Tapes 1986 & 1989


Axis of Swedish, Dutch, and French up-tempo hardcore, thrashcore, and proto-noisecore (or "actual" noisecore, since Larm had already coined the term years prior). Ripped from O.G.s with hi-res scans...


Kilslug - "A Curse" Cassette EP 1982 (With Hi-Res Scans)

This one's a heartfelt tickle for Mahlsy: Debut release (it's not considered a demo, regardless of it's gutter presentation) from future Upsidedown Cross singer Larry Lifeless. The band were huge into 70s pre-doom, striving for an "occult" sound that still retained the weirdo soul of punk (most obvious with Larrys nasally, even geeky vocals). Fun for the whole family...the Manson family.

Icecross - LP 1973


A dark-rock herald out of time...


"One rainy day in early 1972 Axel and Ásgeir knocked at Ómars door, suprising him by asking him, a guitar player, if he would join a band with them playing the bass. All of them had been playing in different bands and knew about each other. They told Ómar that the aim was just playing their own music. By that time it vas not likely that one could earn a living if not playing The Beatles or other commercial music, but Ómar was willing to try. They did practice in some garages to develop or create a 'new' sound. At this time Ámundi Ámundason was one of the agents who arranged a job for many bands.

One of the first jobs they played was in The Westmann Islands, a little town of five thousand, which was on the world news the next year when a volcanic eruption started just outside the town. Later Westmann Islands was again on the news as the new home of the whale Keiko. Ámundi sent a stripper along with that unknown band to be sure that someone would show up. Soon after the band started playing the public started asking for their favorite songs. And when they did not succeed there were growing rumblings of discontent. Suddenly the muscleman of the town (Bjössi á Klöpp) stepped up to the stage with his brother (Goggi), announcing in the microphone that he liked the band, and so should the public. After that the band could keep on playing without interruption. But soon they found out that Iceland was too small to build up a group of fans, so they went to Copenhagen Denmark looking for fame and fortune. The band traveled from Iceland with a Flag Ship 'Gullfoss' bringing a car with them, an old military leftover from the US army. From the back of the cover you can see a glimpse of it behind the guys.

They stayed in Denmark for a year, playing mostly in Kritianía and also at the Revolution club. Playing up to 6 times a week their music got better and better, and they knew that they had to make a record. So they walked one day into the Rosenberg Studio and no other than Tommy Seebach was their Recording Engineer and also played the piano beautifully in Ómars song: 'A Sad Mans Story'.

Axel and I had joined a band earlier and have been friends ever since. One day I got a phone call from Denmark. Axel was on the phone asking me if I and a friend of ours Sigurður Guðmundsson (Lilli) could do something to help financing the record. My aunt was married to a man that was running a small printing facility, Ingólfsprent in Reykjavík. He printed some tickets for us, and Lilli and I sold some of them as an advanced buying of the coming Record. Later he also printed the album for us. I do not recall being charged for it.

There were only 1000 copies made. And the boys in the company, the 3 in the band and Lilli and I , ended up with a lot of a hard selling project. We used them as Christmas and birthday gifts. And still it might be possible to find a copy or two among our families and friends. I recently sold one of my two un-played copies on e-bay. A CD of the original source is in the making, since the one on the market today is a bootleg."

Kurbits I.R. - "Rättvisa, Finns Det?" Demo '93 & "Med Sikte På Framtiden" Demo '94 (With Hi-Res Scans)


Probably only half-remembered for a 7" on 625, here's their earlier demos, both metallic hardcore, but one is almost American in style (it devolves into total metal at times) while the other is more conscientious of their country's dis-thrash traditions...

Cult Of Youth - "Today Your Love, Tomorrow The World" 3" CDR 2008


Loudest "man with a guitar" I've ever seen perform!

"Limited edition of 25 numbered copies to commemorate
Cult Of Youth's live debut at Home Sweet Home in New York on 2/6/08."

Ultra Crap Shit Noise - 301 Band / 90+ Minute Compilation Tape (Year?)


I'm guessing barely pre-millennium, as many of the tracks were bootlegged from the "Bllleeeeaaauuurrrrgghhh" and "Cry Now, Cry Later" compilation 7"s (but scattered randomly between the songs "exclusive" to this cassette). Fortunately you get ten times the shitnoise than those records combined, and with it's surgical editing and thoughtful flow it...still won't transcend being a car tape, but it's a fookin' AWESOME one!

Concrete Sox / Doom ‎– "Live Udine Italy 30.03.1989 C.S.A." CDR 2010



Caress to tumes'...



Master - Live "Warehouse" Chicago 11-10-86


Wards - "Ripped Off In Boston" Radiobeat Demo 1984 (Keller's Rip With Scans)

Edited from "Good/Bad"...

"The WARDS fourth and final release (after two wonderful 7″s and another demo). As you can see, this was recorded at Radio Beat Studios (Deep Wound etc.) and it seems likely from the title of the cassette, that the trip to Boston caused the band some trouble. KFTH has it the band-van was stolen in Boston (and the cover drawing seems to, well, illustrate this rather unpleasant event). The band never got much recognition when still around, but as soon as the Punk nostalgia took off in the beginning 90s, the WARDS became more popular. No wonder, since the band coined a sound of its own. Snotty, pissed, simple but overall pretty melancholic sounding with trademarks double vocals and a pretty tight guitar sound. You’ll see, as soon as the music blasts off, you’ll immediately recognize the typical WARDS sound. One or two more recordings and the WARDS would have taken an interesting development, I guess. I scanned the backside of the demo cover too, which has a letter from the band to me, giving some details." [Thuggy shit!  --S]