"Hopeton Overton Brown (born 18 April 1960) is a recording engineer and producer who rose to fame mixing dub music in the 1980s. A protégé of King Tubby, his contemporaries include several figures who had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly, and Prince Jammy. He was introduced to electronics by his father, who worked as a television and radio repair technician. He began building his own amplifiers, purchasing transformers for them manufactured at King Tubby's studio. He was eventually taken on as Tubby's assistant, first winding coils for transformers, then as a mixer. His name originates from a comment by Tubby on Hopeton's technical proficiency: 'Damn, this little boy must be a scientist.'"
Scientist - "Rids The World Of The Evil Curse Of The Vampires" LP 1981 (CD Version 320)
"Hopeton Overton Brown (born 18 April 1960) is a recording engineer and producer who rose to fame mixing dub music in the 1980s. A protégé of King Tubby, his contemporaries include several figures who had helped pioneer the genre in the 1970s: Ruddock, Bunny Lee, Philip Smart, Pat Kelly, and Prince Jammy. He was introduced to electronics by his father, who worked as a television and radio repair technician. He began building his own amplifiers, purchasing transformers for them manufactured at King Tubby's studio. He was eventually taken on as Tubby's assistant, first winding coils for transformers, then as a mixer. His name originates from a comment by Tubby on Hopeton's technical proficiency: 'Damn, this little boy must be a scientist.'"
MXM - "Flesh-Biting Paedophile" Cassette 1995 (Macronympha And Monde Bruits)
"Macronympha is an American noise and power electronics group formed in 1990 by Joseph Roemer and Rodger Stella in Pittsburgh, PA. Their trademark sound is the collage of metal-junk bashed against each other, looped and layered with mostly analogue equipment. They have collaborated with many big names from the noise scene, including K2, Government Alpha and The Grey Wolves."
"Shohei Iwasaki (1962-2005), better known by his stage name 'Monde Bruits' (French for 'Noise World'), was one of the earliest within the Japanese noise scene, both as a supporter and eventual artist. It was Iwasaki who organized Merzbow's first show in Osaka. He was also involved in 'MXM' (with Macronympha), and 'Sian' (with Aube) amongst other projects. He died in a motorcycle accident in 2005."
Septic Death - "Theme From Ozobozo" CD 1992 (FLAC)
Interview by Martin Purr And Markus Staiger (future founder of Nuclear Blast) 1987...
One doesn’t need to spend a lot of words on ‘Septic Death’. Every kid knows that this is the band of the well-known ‘Pushead’. But what was new to me, was the fact that ‘Septic Death’ is - in principle - a studio-band, which has done very few live gigs so far, but however already has some vinyl on the market and also appeared on several compilations. Currently, their new LP is being recorded, which according to Paul (in his capacity of drummer for ‘Septic Death’ and ‘Attitude’) shouldn’t be quite as extreme anymore. Since at the time of this interview the band consisted of only 3 people: ‘Pushead’ (vocals), ‘Onj’ (guitar) and Paul, to be precise Onj also had to take care of the bass parts for the new LP. Overall, there was plenty to talk about and because Paul was already present during the ‘Attitude’ interview, we took the opportunity to learn a bit about the almost ominous ‘Pushead’...
Martin: Paul, you told us that ‘Septic Death’ is more or less a studio band. Will there someday be a ‘proper’ band ‘Septic Death’ that does live shows, perhaps even will be touring Europe? There’s a lot of people in Europe that like ‘S.D.’.
Markus: Yes, we totally didn’t known that things are the way Andy told us, that you hardly practice, have made virtually no gigs and stuff. In Germany almost nobody knows about that.
Paul: Well, the last time we played was probably a year ago at The Farm (venue in San Francisco).
Markus: And why?
Martin: You’re not interested in playing live?
Andy: It’s up to Pushead.
Paul: I’d love to play, but Pushead …
Martin: Is he ‘too busy’ or ‘too lazy’? (Laughter)
Paul: No, he has too much to do.
Andy: He doesn’t want to damage his voice. (Laughter). Yes: he said his throat was always aching.
Martin: What’s this with his voice? Does he want to join the opera?
Paul: (Laughs) No.
Andy: That’s why Paul plays with us now: because he just loves to play and also because it’s not that great for him if he never gets to play.
Martin: And what about the other members of ‘Septic Death’?
Paul: At the moment we don’t have a bassist, the guitarist also would love to play live.
Markus: And who plays the bass parts on the new LP?
Paul: The guitarist also does that. We first recorded guitar and drums, and then mixed the bass into it.
Markus: And the sound will be better than the other records?
Andy: Yes, it sounds really good.
Markus: It’s funny. The live 10” is not available anymore, almost everyone wants it, although the sound…
Paul: Horrible!!
Andy: Paul, don’t you think that the new stuff is slower?
Paul: Yes, a little.
Markus: Stuff that isn’t as fast as Terrorain?
Paul: No, not that fast anymore. Nevertheless: the record is still fast.
Markus: Well anyway, on the record some things were perhaps a little too fast…OK, Paul, tell us a bit why it took so long to record the new LP. It’s been almost a year since I saw an ad of Bunker Recs in MRR, that said: “Coming soon: ‘Septic Death’ - Strings Of A Toy”.
Paul: Well, the music has already been recorded for ages. But because Pushead writes all lyrics, we had to get back in the studio, etc. Then we recently decided to record even more songs, to extend the play-time of the disc. It’ll probably take a little bit longer.
Markus: So will the record be released in a month or two?
Paul: Yes, in two to three months, hopefully!
Markus: Why has the bassist left the band?
Paul: He’s going to college now, so he hasn’t got time to play in the band anymore.
Markus: Which band do you actually prefer playing for, ‘Attitude’ or ‘Septic Death’?
Paul: ‘Septic Death’!
Markus: Why?
Paul: Well, I don’t know. I’m playing so long in this band, I’m just so used to. I like playing the drums because I like to play fast. Slow things are boring after a while.
Markus: Doesn’t that cause problems within ‘Attitude’? Andy has said that he prefers slower bits.
Paul: Yes, that’s true.
Markus: Why have you put out the 10” on DeLuxe and not on Pusmort?
Paul: At the time the guy from DeLuxe had released a few live 10”s, e.g. ‘Gang Green’, and we didn’t have any good recordings and therefore wouldn’t do it ourselves.
Markus: Would it not have been better to wait until you had better tapes?
Paul: Well, the guy from DeLuxe didn’t wanna wait. He wanted to do it right away.
Martin: Since you hardly did any gigs, you probably also hardly made any new material?
Paul: Yes, that’s right again.
Markus: But I think that the 1,000 that you have pressed, were sold out in a short time.
Paul: Yes.
Markus: Do you think that one day it will be possible to experience ‘Septic Death’ live in Germany?
Paul: Maybe one day, I don’t know.
Martin: Perhaps you’ll open for ‘Attitude’ then or perhaps the other way around.
Paul: Possibly. If I had my way, we’ld be playing in Europe, but I am just one person in the band.
Rick: Yes, you’re just an individual, but you’re not Pushead. (Laughter)
Markus: What kind of things do you listen to, probably fast Hardcore?
Paul: I can’t think of any specific band immediately, in general I listen to fast stuff.
Markus: Do you listen to other things then hardcore?
Paul: I also listen to other bands, such as ‘Sisters Of Mercy’ and stuff like that.
Markus: Who got the idea to name your band ‘Septic Death’?
Paul: Pushead did.
Markus: Do you think it’s possible that the band dissolves, since you’re hardly rehearsing, have got no time, etc.
Paul: Maybe.
Martin: Is Pushead really the absolute boss with you guys, or couldn’t you persuade him to rehearse more often and to do a ‘real’ ‘Septic Death’ band?
Paul: I’ve often told him that I want to play live and our guitarist says that. But I think that it’s hardly possible to try it without him.
Martin: So he currently prefers being a businessman?
Paul: Yes, that’s how it looks like. He just doesn’t earn any money by practicing with the the band. (Laughter) This will be printed in German, no? (Laughter)
Martin: I don’t think he’ll understand.
Andy: I’ll translate it for him, with Rick’s help.
Markus: Something else about Pushead. Does he just release records or has he got another job?
Paul: He works for Thrasher zine one or two days a week. He gets money for the articles that he writes, and for the artwork.
Markus: Did you know that a lot of people from Germany have written to him, but that he has not responded?
Paul: In the beginning, he wrote back to everyone that he received a letter from, but now he gets a minimum of thirty letters daily and it’s impossible for him to respond to all.
Martin: He has written record-reviews for MRR sometimes too; doesn’t he do that anymore?
Paul: No, he quit that.
Martin: OK, Paul, final words regarding the record and on the future of ‘Septic Death’?
Paul: Hopefully the record will be out soon, we’re gonna take the time to record a few new songs. It will be pretty good and…
Markus: Was first one side of the LP recorded?
Paul: I don’t know exactly but we still have to work on it for a bit. 10 songs are recorded so far and we will record another 5 more.
Martin: So it will be a 15 song LP?
Paul: I don’t know if we’ll put all the tracks on the LP.
Markus: The cover will probably be done by Pushead again?
Paul: Yes, but I don’t believe that he’s already finished it.
Martin: And what does the future look like for ‘Septic Death’, rather uncertain?
Paul: Unknown, no idea.
Andy: That’s why Paul plays with us now: because he just loves to play and also because it’s not that great for him if he never gets to play.
Martin: And what about the other members of ‘Septic Death’?
Paul: At the moment we don’t have a bassist, the guitarist also would love to play live.
Markus: And who plays the bass parts on the new LP?
Paul: The guitarist also does that. We first recorded guitar and drums, and then mixed the bass into it.
Markus: And the sound will be better than the other records?
Andy: Yes, it sounds really good.
Markus: It’s funny. The live 10” is not available anymore, almost everyone wants it, although the sound…
Paul: Horrible!!
Andy: Paul, don’t you think that the new stuff is slower?
Paul: Yes, a little.
Markus: Stuff that isn’t as fast as Terrorain?
Paul: No, not that fast anymore. Nevertheless: the record is still fast.
Markus: Well anyway, on the record some things were perhaps a little too fast…OK, Paul, tell us a bit why it took so long to record the new LP. It’s been almost a year since I saw an ad of Bunker Recs in MRR, that said: “Coming soon: ‘Septic Death’ - Strings Of A Toy”.
Paul: Well, the music has already been recorded for ages. But because Pushead writes all lyrics, we had to get back in the studio, etc. Then we recently decided to record even more songs, to extend the play-time of the disc. It’ll probably take a little bit longer.
Markus: So will the record be released in a month or two?
Paul: Yes, in two to three months, hopefully!
Markus: Why has the bassist left the band?
Paul: He’s going to college now, so he hasn’t got time to play in the band anymore.
Markus: Which band do you actually prefer playing for, ‘Attitude’ or ‘Septic Death’?
Paul: ‘Septic Death’!
Markus: Why?
Paul: Well, I don’t know. I’m playing so long in this band, I’m just so used to. I like playing the drums because I like to play fast. Slow things are boring after a while.
Markus: Doesn’t that cause problems within ‘Attitude’? Andy has said that he prefers slower bits.
Paul: Yes, that’s true.
Markus: Why have you put out the 10” on DeLuxe and not on Pusmort?
Paul: At the time the guy from DeLuxe had released a few live 10”s, e.g. ‘Gang Green’, and we didn’t have any good recordings and therefore wouldn’t do it ourselves.
Markus: Would it not have been better to wait until you had better tapes?
Paul: Well, the guy from DeLuxe didn’t wanna wait. He wanted to do it right away.
Martin: Since you hardly did any gigs, you probably also hardly made any new material?
Paul: Yes, that’s right again.
Markus: But I think that the 1,000 that you have pressed, were sold out in a short time.
Paul: Yes.
Markus: Do you think that one day it will be possible to experience ‘Septic Death’ live in Germany?
Paul: Maybe one day, I don’t know.
Martin: Perhaps you’ll open for ‘Attitude’ then or perhaps the other way around.
Paul: Possibly. If I had my way, we’ld be playing in Europe, but I am just one person in the band.
Rick: Yes, you’re just an individual, but you’re not Pushead. (Laughter)
Markus: What kind of things do you listen to, probably fast Hardcore?
Paul: I can’t think of any specific band immediately, in general I listen to fast stuff.
Markus: Do you listen to other things then hardcore?
Paul: I also listen to other bands, such as ‘Sisters Of Mercy’ and stuff like that.
Markus: Who got the idea to name your band ‘Septic Death’?
Paul: Pushead did.
Markus: Do you think it’s possible that the band dissolves, since you’re hardly rehearsing, have got no time, etc.
Paul: Maybe.
Martin: Is Pushead really the absolute boss with you guys, or couldn’t you persuade him to rehearse more often and to do a ‘real’ ‘Septic Death’ band?
Paul: I’ve often told him that I want to play live and our guitarist says that. But I think that it’s hardly possible to try it without him.
Martin: So he currently prefers being a businessman?
Paul: Yes, that’s how it looks like. He just doesn’t earn any money by practicing with the the band. (Laughter) This will be printed in German, no? (Laughter)
Martin: I don’t think he’ll understand.
Andy: I’ll translate it for him, with Rick’s help.
Markus: Something else about Pushead. Does he just release records or has he got another job?
Paul: He works for Thrasher zine one or two days a week. He gets money for the articles that he writes, and for the artwork.
Markus: Did you know that a lot of people from Germany have written to him, but that he has not responded?
Paul: In the beginning, he wrote back to everyone that he received a letter from, but now he gets a minimum of thirty letters daily and it’s impossible for him to respond to all.
Martin: He has written record-reviews for MRR sometimes too; doesn’t he do that anymore?
Paul: No, he quit that.
Martin: OK, Paul, final words regarding the record and on the future of ‘Septic Death’?
Paul: Hopefully the record will be out soon, we’re gonna take the time to record a few new songs. It will be pretty good and…
Markus: Was first one side of the LP recorded?
Paul: I don’t know exactly but we still have to work on it for a bit. 10 songs are recorded so far and we will record another 5 more.
Martin: So it will be a 15 song LP?
Paul: I don’t know if we’ll put all the tracks on the LP.
Markus: The cover will probably be done by Pushead again?
Paul: Yes, but I don’t believe that he’s already finished it.
Martin: And what does the future look like for ‘Septic Death’, rather uncertain?
Paul: Unknown, no idea.
Vorkriegsphase - "Auf In Den Tod" LP 1983, "Scheiss Krieg" 7" 1983, True Demo 1 1984 (Mahler's Rip From O.G. With Scan), Rehearsals 1984 & 1985 (AKA "Demos 1 & 2" Mislabel), Live 11-16-1984, Interview 2009
🧸The Honey Trail: Oliver/C.B.U./Jan/AGx late 90s + Kyd Fynian/Volume 4 early 2000s + Mahler Haze a month ago (LAG KING! 😉) + Damaging Noise mid 2000s + Judas Gemini (2009 Interview) =
Unsound Zine 1-10 1983-1986
Complete run of this industrial/wavenoise rag, with interviews and ponderings on Whitehouse, Kommunity FK, Z'ev, Negativland, Esplendor Geometrico, Einsturzende Neubaten, Boyd Rice, Minimal Man, No Trend, Sonic Youth, Hunting Lodge, Test Dept, Coil, Psychic TV, Swans, Culturcide, Tim Yohannan, Sleep Chamber, Controlled Bleeding, Nocturnal Emissions, The Haters, Nurse With Wound, John Zorn, Cosey Fanni Tutti, John Duncan, Church Of The Subgenius, Blackhouse, Organum, Asmus Tietchens, and megabits (not bytes) more!
DJ Twilight - "Terrornoize Industry / Demon. Kaos. Violence. War." Label-Mix CD 2007 (With Full Scans)
Terrorizing industrial-hardcore/speedcore set by DJ Twilight, with iller-than-Covid trax from Matt Green, Tieum, The Sickest Squad, Frazzbass, Noisekick, Drokz, The Speed Freak, Jensen, Stormtrooper, U.I. Project, Akira, Bonehead, The Destroyer, Noize Creator, and Qualkommando...
Toreros After Olé - 12" 1983
One-release-wonder of one of the bangin'-est hardcore
records to emerge from the early Spanish scene...
Dachau - "Tuomiopäivä" Unreleased 7" 1982 (AKA "Demo '82")
Forsaken Suomi slopcore that'd be Disbay platinum if it had ever been pressed...
Kotzaak - Labelography 1993-2006
"'Kotzaak Unltd.' was created in 1994 as a sub-label of 'Planet Core Productions' in Germany. A label with ultra brutal sound had to be created to set new standards in raw, violent, and furious hXc annihilation (with a P.C.P. type attitude). After Planet Core Productions shut its doors in the late 1990s, Kotzaak’s label boss decided to continue the madness and started his 'M-Series' records in the early 2000s (which continued the classic 'in your face' Kotzaak style). That label folded in 2006."
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