Bayonet (Finland) - Demos 1 & 2 1983


One of the download age's earliest coveted "mythological" bands, officially reissued just last year...
but since no one's ripped that yet, here's the 1st demo in 320 (first track's warbly, but cleans up quite
bitchin'ly right after), and the 2nd in 128...

Impact & Declino - "Attraverso L' Involucro" 12" 1986 & "Eresia" 12" 1985 (Both Flac)


Bellissima!!! Two of the funnest rides on hardcore's ripplin' shoulders you could ever hope to experience...


"Impact were born in Ferrara in 1980, only recording a demo on 15-3-1982 (never released). In 1983 they undertake the collaboration with Eu's Ass which will lead them to the realization of a split 7". In 1984 they are then invited to participate in the double album compilation 'International PEACE Benefit Compilation.' In 1985 Impact produced an album for 'Chaos Produzioni', the record label of Wretched, with whom they released many groups of the Italian scene and beyond. In the tour that followed, the group had various line-up changes. In 1986 they released a 12", and In 1990 an LP that does not receive the approval of the previous ones, triggering a spiral that will lead the group to dissolution in 1992."

"The Decline were born in 1982 in Turin. In 1983 they made their debut 7". The following tour did not prevent band member Orlando from joining Negazione. 1984 was marked by a new line-up change that saw the entry of Roberto (also from Negazione), and did a split LP...with Negazione...first on cassette, then on vinyl two years later by Children Of The Revolution Records. The Decline broke up in early 1985 after a second European tour, due to internal differences. Their final recording 'Eresia' was released posthumously."

Axl - All Four 12"s '93-'96


Complete discography of savage bunk-room-hXc from producer
Uwe Schröder, the first artist to release on Strike...


Painajainen - "Todistusaineisota..." 7" 1986 & "Vihan Rytmi" LP 1986/2003 (FLAC)

Helvetillinen RAAKA punk!!!

Desperate Corruption - "Insatiable Mass" Demo 3 1995 & "Deadly Spawn" Demo 2 1994 (OGs WAV)


2nd demo's well played, but it's the 3rd demo that was so passionately performed (and recorded) it should have have set off a nuclear bidding war between all the corporate-death labels back then. It didn't, because believe it or not people were always as fucking retarded as they are today...


DJ Subversion - "Frenchcore S'Il Vous Plait" Party-CD (Limited To Show) 2011 (320)


Frazzbass of Italy, and Holland's Noisekick pay tribute to the sonic end of New French Extremity with 50 mixed tracks of PLEEEEEEASIIIIIING SPEEEEEEDCOOOOOORE (and groovy hardness overall)!!!

Abactio (Finland) - Demo '82 Or Comp Trax (320)


Toinen täydellinen mysteeriryhmä! Thubby Finnish art-punk that occasionally 'cores...then reggaes...

Armia - "Legenda" LP 1991 (2008 Repress Rip, FLAC And Scans)


"Armia was founded by Tomasz Budzyński, who had just left Siekiera, and two musicians from Israel - Robert Brylewski and Sławomir Gołaszewski. Their meeting at the Hybrydy club in November 1984 is assumed as the moment and place of the uprising, while the first rehearsal took place there on December 5, 1984, although the name 'Anti-Army' was chosen only in the spring of 1985. After recording demo cassettes and appearing on bootlegs, Armia made the first professional recordings in the fall of 1985 for the compilation 'Jak Punk To Punk', released the following year. The single 'Aguirre was' then released. Encouraged by their artistic success, they then recorded their first LP. During that recording, a French horn was introduced to their sound. The next work of the group, 'Legenda', was released in June 1991. The album tells in a metaphorical way about human desires and spirituality. Both the poetic texts of Tomasz Budzyński and the music enriched with clarinet, flute, and African trumpet created a unique, dreamlike and fairy-tale atmosphere. In addition, you can see a fascination with the poetry of Arthur Rimbaud, Gnosticism, medieval European chivalry and Christianity. The album brought the band great popularity, not only in the punk environment, but also in the wider rock scene. Immediately after its release, it won awards in most categories of the 'Brum' ranking , one of the most influential radio programs promoting rock music in Poland at that time."


Morbid Mag Issues 1 & 5 1987/1989



Started in Norway in 1987, moved to Sweden as editor Ronny Eide (also of the band Emptor) joined Suffer as second guitarist. Clear, well laid out graphics, and just some of the numerous write ups and interviews featuring Mayhem, Nekrodeath, Assassin, Soothsayer, Sadus, Attitude?, Thanatos, Wehrmacht, Sabbat, Casbah, Impostor, Fatal, Malevolent Creation, Skeletal Earth, Cadaver, Old Funeral, Toxodeth, Deceased, Pestilence, Macrodex, and Chaotic Plague. So who's being a hoarding bitch with the rest of the run?

Sororicide - "The Entity" CD 1991 (320)



Edited from Marcin's 2018 review... 

"Anyone wonders what one of the most expensive death metal albums is like? For some reason Sororicide's 'The Entity' has become one of most expensive CDs/LPs and the prices it reached on eBay or Discogs went far beyond common sense. Some people went crazy and decided to pay big money for it, but I cannot understand why. The music on this album is nothing special and definitely it's not worth a thousand fucking bucks! Just the fact that it's rare doesn't mean it's worth that much money! I don't care what people do with their dollars, if someone wanted to show off and spend his month's wages on this album, then it's his stupidity, not mine.

But seriously, speaking of the demanded value of the original press against its music quality, I think this is an incredibly overrated album. For me it hardly deserves the praise it often receives, what confirms my theory is that words like 'classic' and 'cult' have no meaning nowadays, because they're used to describe even such mediocre and even weak records as this. For some people it's enough if the album was released in the early 90's to call it 'cult'. What bullshit. I don't want to say that 'The Entity' is a pile of useless garbage, because it's not, but it's not an album which will give you a big erection and powerful kick in the head. Sororicide sounds weak here and more like a miserable school metal band which hardly learned to play the instruments. But they try to play their death metal and you can even hear that they have some good ideas, some nice riffs, but it doesn't save the overall quality of the album. 

When listening to 'The Entity" I can't help but notice rather sloppy playing from these young dudes and primitiveness of this album. Their guitar solos beg for being erased immediately. And too often it all just sounds messy and poor, especially that some riffs were meant to sound more twisted and the music is filled with tempo variations or very diverse parts. Definitely the best part of 'The Entity' is when the music is slower and surprisingly I can admit that Sororicide did come up with some pretty damn good melodic riffs. Songs like 'Frightmares' and 'Old' are the most interesting and I can say that I like them. You would not exaggerate, if you compare them to the classic Swedish death metal scene and bands like Crypt Of Kerberos and such. 'Frightmares' is surely also very influenced by early Paradise Lost, I do like how they create darker and more sorrowful atmosphere there. 'Redrum' is another very good song, but when played in faster tempos the music becomes less and less interesting and it turns out that there's a whole bunch of mediocre songs that bore me to death. Sometimes it just becomes irritating, especially with the weak, monotonous vocals. The production of 'The Entity' is also very thin and only underlines that whole primitive and uninspiring character of this record. So, as I mentioned, at best I can pick up few good songs, some great fragments...but as a whole, this album is hardly ever impressive."