Mick Harris - "Head Stew" 2017 Secret Thirteen Mix



"Mick Harris proclaims the glorious kingdom of sound in this dreamlike, exceptional 35-track collection of musique concrète, noise and other abstract forms. Mick Harris serves as both jack and master of all trades. From the time when his drums defied speed limits on Napalm Death over 30 years ago, Mick Harris has released truly unique records in a number of styles - ominous soundscape ambient with Lull, rough Detroitish techno with Monrella, savage jungle/dnb with Quoit, and many rather more experimental sonic endeavors besides. One of the passions of his musical career has been casting a thousand evil curses on dub, resulting in some of the most singular music released in the ‘90s and ‘00s - most importantly Scorn, but also The Weakener and his Equations of Eternity collab with Eraldo Bernocchi and Bill Laswell. While there is the urge to continue pointing out things like the entertaining carnage of Defecation’s Purity Dilution or the inventive celebration of acid that was Hygiene, today it seems more fitting to talk about another old-new Mick Harris project - Fret. The first release under this alias, an eponymous 3-track 12”, was released on Regis’ Downwards label way back in 1995. That’s a while ago now, but its hypnotic industrialized rhythms are just as relevant and fresh-sounding today. On October 13, 2017, a new Fret 2xLP, aptly titled Over Depth, is coming out on Karlrecords. The massive basslines and ornate noise tapestry background take this industrial-techno-by-way-of-dubstep banger a lot closer to Scorn than the first one ventured. Over Depth will doubtless be praised as much for its violent dancefloor appeal as for its creativity and intense attention to detail.

Secret Thirteen Mix 233, titled Head Stew, is a welcome curveball. Neil Gaiman has a short story in his Sandman series where someone accidentally walks an alleyway into the dream of the city he lives in. This, then, is the dream of a concert venue where disembodied melodies, rhythms and compositional fragments manifest and merge, forming outlandish assemblages that ebb and flow, are restructured or turned on their head. We are always aware listening to Mick Harris’ works that he is a fan not of types of music, but of the fanciful machinations of Sound. This mix compiles the works of other musicians who have been guided by that ethos: the experimental fringe of the industrial scene as represented by Nocturnal Emissions, Nurse With Wound, Zoviet France; musique concrète visionaries, which are too many to name; and others pointlessly associated with IDM, hip-hop, dub or something else. The mix seems to be framed by the shadow of Harris’ former musical self - the feral hardcore punk/grindcore of Siege and Confuse. It’s always there, but does not dominate in the least. If a visual were to be included with this mix, Wu Guanzhong’s Lion Woods might be a good choice. The fantastic smooth shapes in this masterpiece place it on the tip of consciousness, much like Mick Harris’ recording. This is the real deal as expected, exquisite in selection and execution - mandatory!" -- Secret Thirteen

Tracklist...

01. Siege - Armageddon [Off the Disk Records,(recorded 1984)]
02. Conrad Schnitzler - Untitled
03. Christian Zanési - Stop ! L’Horizon [INA-GRM, 1990]
04. Otto Von Schirach - No Wood [Schematic, 2001]
05. Negativland - Negativland 4 [Seeland, 1980]
06. Michel Redolfi - Appels D’Air (Sudden Drafts) [INA-GRM, 1993]
07. Mario Rodrigue - Tilt [Empreintes DIGITALes, 1994]
08. Operating Theatre - Fin-estra [United Diaries, 1981]
09. My Bloody Valentine - Glider [Creation Records, 1990]
10. Bob Ostertag - Tears of the Sand in the Fierce Companionship of Thirst [RecRec Music, 1992]
11. Cabaret Voltaire - The Dada Man [Industrial Records, 1980]
12. Jim O’Rourke - Mere Part 2 [Staaltape, 1992]
13. The Hafler Trio - I Remain, Yours… [Tragic Figures, 1991]
14. Miles Davis - Rated X [Columbia, 1974]
15. Tod Dockstader - Two Fragments From Apocalypse (Second Fragment) [Owl Records, 1966]
16. Xavier Garcia - 6 Regards Sul L [GMVL, 1991]
17. Pascal Florian Mutschler - Haute Tension [GMVL, 1991]
18. Adam Bohman - Reisling Riots [Mycophile Records, 1997]
19. Jozef Malovec - Orthogenesis [Turnabout, 1968]
20. Rhythm & Sound - Distance [Rhythm & Sound, 2001]
21. Scientist - De Materialize [Greensleeves Records, 1981]
22. Kit Watkins - Tone 4 [Linden Music, 1990]
23. Nurse With Wound - Soliloquy For Lilith (Second Fragment) [Idle Hole Records, 1988]
24. Nocturnal Emissions - Ooerrdn [Earthly Delights, 1990]
25. Phoenecia - Non-specific Acoustic Stimulation [Schematic, 2000]
26. Zoviet France - Caught in the Square [Staalplaat, 1990]
27. Toshinori Kondo X DJ Krush - Tobira-1 [Sony Records, 1996]
28. Jörg Thomasius / Lars Stroschen - Die Rabenschwarze Dame [Tonart, 1993]
29. Illusion Of Safety - Looking Forward To Silence [Complacency, 1990]
30. Denis Smalley - Wind Chimes [Empreintes DIGITALes, 1992]
31. Asmus Tietchens / PBK - Manifesto 3 [Realization Recordings, 1992]
32. Confuse - Indignation [Violent Party Records, 1984]
33. Mescalinum United - We Have Arrived (Aphex Twin QQT Mix) [R&S Records, 1992]
34. JH - No Rain
35. Rhythm & Sound - Roll Off [Rhythm & Sound, 2001]

Seanography - 2003ish To 2010ish (Mach Baron, Pyrotoxxxn, Magenblase, Operation: Earth Stand Still)

 
If I was the physical embodiment of a Disbay seller rating, I'd be 95.4% positive that this is a complete collection of my solo electronic work from 2003ish to 2010ish (and a bonus "collaboration" that shouldn't be hard to suss out). Breakcore, speedcore, pure industrial/power electronics, programming bizarre shit in general, this was a highly catalyzed time in my creative life, as I had finally acquired multiple means to create music(k) in genres I followed outside of hardcore-punk. The mixing and "mastering" remained hardcore-punk, but, ya know, FUCK YOU! Dig/diss/ignore at will...


 

Neon Hearts - S/T 7" 1977

"Neon Hearts were Wolverhampton's first punk band that had a short lived existence from 1977 to 1981 at the height of the punk movement.

The band was founded in the summer of 1977 by Steve Heart when he quit Birmingham-based Suburban Studs after being told a sax player was inappropriate in a punk band. The initial line up included Steve, his bass playing cousin Paul Raven, a drummer friend of Paul's named Keith Allen, and Martin Ratcliffe, a guitarist friend of Keith's.

After a few weeks rehearsing, the band went into Lee Sound Studios to arrange a demo recording session.

They soon came across a solo singer playing local pubs and clubs doing his own songs and a few Bowie covers. Tony Deary (later Tone Dial) joined the band after a couple of meetings and the band (now five members) was complete. After much debate the band decided to call themselves Neon Hearts.

After the first sessions at Ginger Studios two songs, 'Regulations' and 'Venus Eccentric' were chosen to become a double A-sided single released on 1 December 1977 on the band's own label, Neon Hearts Records. The first pressing of the single was released in an oversized 8" sleeve due to a printing error."

Kicks Radio Interviews 1989-2004: Morbid Angel, Disharmonic Orchestra, Grave, Master, Pungent Stench, Vidna Obmana, Napalm Death/Defecation, Doctor And The Crippens, Intense Degree, Carcass, Prong, Murphy's Law, Sepultura, Tankard, Atrocity, Entombed, Cryptic Slaughter, Obituary, Annihilator, Extreme Noise Terror, Hellbastard, Bolt Thrower, Melvins, Exhorder, Cathedral, Benediction, Sinister, Kong, Death, Peaceville, My Dying Bride, St. Vitus, Therion, Anathema, Autopsy, Nuclear Blast, GGFH, Impaled Nazarene

"Kicks was a radio show (1989-2015) on 'Radio Centraal' in Antwerp, Belgium specialized in various underground music cultures from the whole world. These interviews* were broadcasted on Kicks. Some were recorded in the studio, most are phone interviews or are recorded on location (sound quality varies). Note that some interviews are in our native language Dutch."

*I just cherry picked the bands I like, scope Kicks' "Archive.org" page for hundreds more!!! 




Raw Hate - Demo (Year?) & "Drunk As Fuck Existence" 7" 2008

A noizy (blown out, not Japanese style) early 'Cimex with HUEVOS the weight of tank treads! Demo is thinly recorded, but still shares the same great playing ability as the 7", the production of which sounds like 100,000 bayonets clashing atop a beachhead of pulverized skulls. TOP discore that'll shred your brain as easily as your speakers!!!

http://www.mediafire.com/file/40r3x50qgag90pz/RAW_HATE.zip/file

Ancestors And Antichrist - Demo 2006, Demos '84/'85

2nd titillating trve kvlt black hardcore project from Mark McCoy (Haxan was the other) glued in cum and blood to Digby Pearson's 2nd joke "band" pre-Earache (the lifelong chutzpah of that guy!). WEREWOLF CHAOS!!!

http://www.mediafire.com/file/l34a76be3y84b67/Ancestors_%2526_Antichrist.zip/file

Winterswijx Chaos Front - Live Soundboard '85, S/T 7" '86

Dutchcore that channeled a very "American" style throughout: Chillin' in the back yard with an Agression shirt, Vans SK8 mids, and bragging about having "done time", usually just county jail, and always from pulling a crank bender before assaulting your mother. "Just Socal thangs"...but thrashier.


Angry Thalidomide Babies (Pre Sons of Ishmael) - Demo '84 & Interview

Toronto hardcore legend doing legendary shit before the legend even began! I'm not even being sarcastic for once: PUNK R-A-W-K!!!