Checkered vans, sleeveless flannels, W-I-C-K-E-D Doomwatch-y crossover!
Vhutemas Archetypi LP 1986 (1991 CD Repress FLAC)
Perplexingly forgotten release from Brian Williams' own "Side Effects" label: a compilation of (what was even then considered) heavyweight industrial from Laibach, Hunting Lodge, Gerechtigkeits Liga, S.P.K., and of course Brian too, as Lustmord (with "beats" and kineticism!)...
Seed Mouth - "Scum" Cassette 1991
Unalloyed Japanese harshtronics so measured in presentation it will redshift you...
...atom by atom...into oblivion. Released on Contagious Orgasm's in-house label "S.S.S.M."...
Snares (Venetian) – "Sabbath Dubs" 10" 2007
Sabs...in dub!
"Samples from track A are from 'Black Sabbath', the title track to Black Sabbath's debut album. Samples from track B are from 'Electric Funeral', a track from the groups second album. Additional samples are from an interview with Ozzy where he says 'I always believed...it's never going to get any better than what it is now...I can't see beyond the Black Sabbath, I can't see anything without the Black Sabbath'."
Thomas Koner - "Permafrost" CD 1993 (320)
The pulmonary slush of dead tundras...
"With my music I am trying to construct a space that is as open and wide as possible without collapsing back upon itself; hardly any support columns or visible framework. There is a sense of emptiness, of lines that have been drawn but not completed. With my music I am creating an invitation to inhabit this space, and, in a natural flow, the listener gradually fills it with 'himself' - refractions of memory that appear like sparks expelled on a random trajectory from a personal archive of lifelong experiences." --T.K. 2013
Volks-Front - "Kamp Field" Tape 1988, "New Endlosung!" Tape 1989, & "Volkssturm" Tape Comp 1986 (320)
Legitimately uber-obscure Japanese pure-industrial/nazitronics
(like a yellow, and mic-dropping homage to, Broken Flag). "Blocked by Discogs"...
Étant Donnés - "Bleu" CD 1994
ASMR NIRVANA!
"The work of brothers Eric and Marc Hurtado, Etant Donnes (named in tribute to the title of Marcel Duchamp's last major art piece) has been ongoing since 1980. Their music and overall vision has expanded beyond the post-industrial of their early tapes by several orders of magnitude, a sea of change that found them utilizing the context of a 'band' as a means of expressing more unique artistic impulses related to the sacred, the ecstatic, and the alchemical. Their fully mature vision occupies a unique juncture in experimental music: a zone of cilia-prickling electroacoustic spatialization, with whispered texts and zoom-focus on the sounds of nature enacting something deeply redolent of the uncanny."
--Edited From Mutant Sounds
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