Pure-industrial triggercore from Grey Wolves, Intrinsic Action, Con-Dom, Nurse With Wound, Whitehouse, and mooorrreee, with interstitials from Aleister Crowley, Heinrich Himmler, and Charles Manson. STACKED!!!
SS Kids - "Humans Punk" 7" 1983
Zippy French punk with a drummer named Discharge and a song called Disorder...
Chainsaw Madness - This is Terror 4-7-2011
Kong level A-P-E-S-H-I-T speednoize-techno radio show (mixed!) with Euro-as-fuck DJ accents...
Dead Boys / Devo - Live Max's Kansas City 10-31-76 (320) & Live Minneapolis 1978 (320)
RESPECT Justin! 😀
"Dead Boys were an American punk rock band from Cleveland, Ohio. They were among the first wave of punk bands in general, as well as one of the rowdiest and most violent groups of the era. Dead Boys were formed by vocalist Stiv Bators, lead guitarist Cheetah Chrome, rhythm guitarist Jimmy Zero, bassist Jeff Magnum, and drummer Johnny Blitz in 1976, splintering off from another group called 'Rocket From The Tombs'. They released two studio albums, 'Young Loud and Snotty' and 'We Have Come for Your Children'. Their song 'Sonic Reducer' is often regarded as one of the classics of the punk genre. In 1978 Johnny Blitz and a group of his friends got into an altercation which led to Blitz being stabbed in the chest approximately 17 times. While he was recovering in the hospital a benefit was held for him, at which the Dead Boys performed with John Belushi and New York Dolls/Johnny Thunders drummer Jerry Nolan filling in on drums."
"Devo is an American rock band from Akron, Ohio, formed in 1973. Their classic lineup consisted of two sets of brothers, the Mothersbaughs (Mark and Bob) and the Casales (Gerald and Bob), along with Alan Myers. The band had a major hit in 1980 with the single 'Whip It', which popularized them with the mainstream. Known for their stage shows mingling kitsch science fiction, deadpan surrealist humor, and mordantly satirical social commentary, their early, somewhat dissonant tracks used synthetic instrumentation and novel time signatures influential to new wave, industrial, and alternative rock music. They were also pioneers of the music video, creating clips for the LaserDisc format, and 'Whip It' getting heavy airplay in the early days of MTV. The name Devo comes from the concept of 'de-evolution' and the band's related idea that instead of continuing to evolve, mankind had begun to regress, as evidenced by the dysfunction and herd mentality of American society."
Exploding Meth Lab Vs U-731 - "Supplicant" Tape (CDR Master) 2005 & "By All Means" CD 2014 (Both 320)
Mid release vs only release of instrumented (!) noise-collages/walls
and black-hole-black ambidustrial...
Killer Instinct / X.K.I. - Studio Sessions 82-83
Killer Instinct was formed in 1981 in the Lower East Side of NYC. Carolyn joined the band soon after moving to New York from Kansas by way of Marburg, Germany. She answered an ad. Their first gig was at the A7 Club on the corner of Avenue A and 7th St. in the East Village. A7 was ground zero for the NY hardcore bands that evolved from the 70s punk scene. It was an illegal club with no liquor license, kept open through regular payoffs to local cops. It was run by a genial ex-con named Dave; music began around midnight and went on until seven or eight in the morning, sometimes with a large audience and often without. Dave's wife worked behind the neon-lit bar in front; bands played in the back in a space about the size of a suburban living room, on a platform raised only inches above the floor.
Local acts included Kraut, Reagan Youth, The Stimulators, Agnostic Front, False Prophets, Bobby Steele and the Undead, The Mob, Even Worse, Butch Lust and the Hypocrites, ISM (who recorded a tribute to the club on the flip of their "I Think I Love You" single), and an early 4-piece punk version of The Beastie Boys, who played their first gig at the club. Touring West Coast bands like DOA and Black Flag would play at A7, then camp out on some fan's floor. DOA's bassist punched a hole in the drop-down accoustic tile ceiling, left unrepaired as a tribute to the band for years afterward. Henry Rollins did his first gig with Black Flag at A7. For several months during 1981-82 Killer Instinct played A7 almost every weekend. A long line of local punks lined up on the sidewalk by midnight, cadging cash and hustling bands to get on the guest list. If they got inside they begged more cash for drinks; more often than not, they never made it past Andre or Victor at the door and ended up on the benches of Tompkins Square Park across the street, passing around a 40-ounce. Carolyn's X.K.I songs "Guest List" and "Stromboli" document the scene.
Early in 1982 A7 acts were asked to submit tapes for an independently-produced LP on S.I.N. Records (run by the two songwriters from ISM) called Big Apple Rotten to the Core: High Energy Rock from NYC. Bands that made the cut were Butch Lust and the Hypocrites, Squirm, The Mob, The Headlickers, Killer Instinct, and of course ISM. The Killer Instinct cuts were "Torture You First", lyrics by Carolyn and music by Jet, and "Killer Instinct" written by Bobby Skull. Both songs were recorded in one session at Rock Bite Studios, a small rehearsal hall and recording studio in midtown. The band produced the session; the engineer is listed as "Danny." The LP got mixed notices in a few fanzines, Maximum RockNRoll in particular. No one involved made any money and no interest was shown by major labels. That is perhaps the single biggest difference between the first wave of NYC punk and the second hardcore wave that followed it — in the first wave, everybody got signed, in the second, no one did.
By the time of the Big Apple release Killer Instinct had already broken up, a victim of ego run rampant and romance gone sour. Most of the band reformed as X.K.I. Jet Suicide came up with the name Killer Instinct; he kept it when the band split up. The remaining members found a new guitarist and new name that described their status as eX-KIs. They rapidly returned to the stage at A7 and also managed to get in a couple of gigs at 2+2, a new club Dave opened on Second Avenue and 2nd Street. (It remained open for less than two months, thereby cementing its reputation). They also played a couple of gigs at CBGB's before the hardcore ban went into effect, and at a new club called 8BC at its original location on the south side of 8th St. (above a garage in a guy named Bob's apartment).
Guitarist Meryl was a friend of Carolyn's pal Donna Argentina (of No Thanks), so Donna introduced her to the band. Meryl had a distinctly different sound than Jet and not all the fans liked it. In late '82 the band was asked to submit tapes for a new 7" EP that was being put together by John Souvadji (who ran the Big City fanzine). The EP was called Big City Ain't Too Pretty and included cuts by X.K.I., Betrayed, U.V., Savage Circle, No Thanks, Armed Citizens, and Fathead Suburbia. 1000 copies were pressed. X.K.I. paid for a one-day recording session in January 1983 at Monkey Hill Studio in Queens, NY; the band acted as its own producer. All the X.K.I. cuts included here were recorded that day, though only "I Hate Everything" made it onto the EP. When the band finally heard it they were appalled at the way the tune had been mastered for vinyl; lots of reverb had been added and the whole sound was murky. (The engineer who mastered the session died in a car crash shortly afterward). As with Killer Instinct, by the time of the record's release the band had broken up. Once again, no one involved made any money and no major label came calling.
Chillin Is Killin Compilation 2xCD 2002 (Fresh Rip @ 320)
Top Trax: Dienamic - "Totally Fucked", and Tocsin - "Turn Right And Go Straight"
(first to sample Micropoint's "Static" kick?!)...
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